Folks who love him dearly were calling it the best thing since seasonings for food. (Adrift in Pabloâs turbulent waters, you get the sense the songs still arenât finished. Chance The Rapper feels that he has been blessed with family, friends, talent and opportunity, and few things give him more joy than extolling those blessings. Acid Rap is Chance and his rawest, realest and scrappiest, not quite yet a Kanye prodigy with a gospel bent. While the 1990s are inarguably considered the Golden Era of hip-hop and the 2000s were the biggest boom period for the genre, the 2010s have seen the most innovative explosion of talent in its 40-year history to date. Just over three weeks later, Chicago rapper Fatima Warner, aka Noname, released her gorgeous debut mixtape Telefone, a smooth, jazz-inflected listen packed with heartbreaking social commentary about life as a black woman in America. Here are TIME’s picks for the best albums of the 2010s, presented chronologically. Beyoncé does her part to make her world worthwhile, but it is our job to try and do the same. But while the volume of Chanceâs piety may feel like evangelism, Coloring Book is far from gospel rap. 9. Chicago’s Drill scene exploded in the 2010s with grim confessionals about the gang violence that had often become front-page news. Yet, it was Barter 6 that turned non-believers into reluctant supporters, pushing Thugger into the waters of tolerability for some — or all out Slimeheads for others — amidst a collection of memorable tracks like “Constantly Hating,” “With That,” and “Check.” During this period, Thugger was considered jarring and too strange to be considered “real hip-hop,” but his sound flippantly pushed the envelope, setting the tone for a new generation of burgeoning rap stars. Childish Gambinoâs growth as a musician in the two years since Camp is commendable. isnât the personal journey that 2015âs To Pimp a Butterfly was, and it doesnât try to be. And they might not be: Kanye recently tweeted he was going to âfix âWolves,ââ failing to explain what that might entail.) âEllen Johnson, That Kanyeâs anointed himself as Jesusâ BFF isnât surprising: After years of hip-hop domination and high-profile media spectacles, the dudeâs made plenty of enemiesâJesus may be the final person he hasnât totally pissed off. Even though the first half of the year has been mild at best we still have 2 Kanye albums Nas Pusha T ... TOP 5 BEST RAP ALBUMS THIS DECADE (2010-PRESENT) Follow. The appearance of her child seems mostly put there for herself, which is all well and good. It’s an admittedly futile endeavor, owing mainly to the subjective nature of the arguments involved. When Young Thug released Barter 6 , it wasn’t yet en vogue to be a fan. âRyan Reed, Danny Brown is a funny guy. The bass is so encapsulating, and Mikeâs âoh myâ peppered into the background makes it a haunting experience. Kamaiyah’s effervescent personality shines through on records like “F*ck It Up” and “How Does It Feel,” especially.–A.G. Cardi Bâs celebrity may be a well-earned aspect of her now famous rags-to-riches story (and oodles of fun to observe), but itâs completely irrelevant to enjoying Invasion of Privacy, one of the most uproariously fun rap albums of the decade. On the latter, these everymen know what unites America (âThe ramen noodleâ), and they know the bigotry that rips it apart (âMuslims and gays / Boy we hate your waysâ). Kanye answers: âWe formed our own religion; no sin as long as thereâs permission.â Itâs no surprise that the finest tracks here are those in which the duo take a break guarding their invisible thrones. Itâs developed in parts, compelling, and his existential struggles are somewhat realized. The rapperâs cousin and fellow Pivot Gang member John Walt (aka Walter Long Jr.) was murdered in 2017, and his death shadows every corner of the record. And in one career-best verse on the former, Q-Tip rightfully salutes Confederate flag-capturer Brittany Newsome, the murdered Eric Garner and a doomsday premonition from his own âExcursions.â Inverting a storied history of legendary African-American musicians from Sun Ra to George Clinton to Lil Wayne, Tribe cement their rep as the most earthbound crew of all time: âThere ainât a space program for niggas / You stuck here nigga.â Call it âIncursions.â Yet, We got it from Here⦠proceeds from one crucial innovation since Tribe last made a record in 1998: the jazz-rap album you cannot relax to. This year, Billboard decided to have its art and photo make their picks for the best album covers of 2018. In the end, the success of the album can be measured by whether things actually change, because a million copies sold should be a million changed attitudes, and that would be something pretty special. In fact, the reference is only in passing, buried mid-verse on âI Ainât Got Time!â and again on âGarden Shedâ when he says he âthought it was a phase.â Stylistically and lyrically, Flower Boy shows us a softer, more thoughtful Tyler who seems to have moved past the vulgar, sometimes violent rhymes that made Odd Future and his early solo work famous. When it comes to rappers who try their hand at R&B, Future’s HNDRXX is a soulful masterpiece of the highest order. They argued about it because, well, the internet. The Philly rhymer instantly became one of hip-hop’s most innovative voices with Whack World, a project full of 1-minute songs tailored for IG. People may recognize Killer Mike as Bernie Sanders’ number one booster or as one-half of Run The Jewels, but the ATLIen is also a damn good solo artist. If you know, you know. So, from musicâs biggest names like Kendrick and Kanye to Odd Future glow-ups like Earl Sweatshirt and Tyler, The Creator, here are the best hip-hop albums of the decade, as voted by the Paste Staff. They test each otherâs hip-hop fluency often. SZA anchors the song with the nonnegotiable chorus: âI do what I like.â In 2018, an unapologetic woman was the most powerful voice we needed. Perhaps that’s why the album resonated as one of the most densely crafted, deeply thoughtful projects of 2016. Rap was everywhere. âAdrian Spinelli, Killer Mike and El-P become full-fledged juggernauts on their third album as Run the Jewels, never compromising, never obstructed. Here, he was ready to mine deeper bedrock. Sabaâs Care For Me takes a similar tack through tragedy and toward grace. “The 200 Best Albums of the 2010s According To Some Random Guy” My list would include almost none of these albums — which is to say, this sort of thing is completely subjective, and makes articles like this pointless. There was Nonameâs victory lap, CupCakkeâs unabashed self-love, and Valeeâs world-conquering flow. Mac’s knack for bringing out the best in his collaborators and love for the craft of making music shines through on tracks like “Inertia” and “Small Worlds,” leaving behind a legacy as one of rap’s more prolific, honest, and vulnerable artists yet.–A.W. You can stan for the â90s golden era of hip hop, or maybe vouch for the 2000s boom, but you canât deny the evolution of the genre in the 2010s. He finds himself crucified on the very first trackâhis desire to do good, his outstretched hand to the blind of the world, turned upon him and used to undo him. The Best Albums of The Decade: The 2010s 99 Purged of the drug-addled skepticism of Acid Rap and pulsing with the free-wheeling spirit and zeal that bolstered Surf, Coloring Book is a breezy listen: direct and purposeful. The Bronx-born entrepreneur first attracted attention after speaking openly about her work as a stripper on social media. Over nine tracks, Metro Boomin crafts an immersive, 808-dominated canvas for Savage’s cold delivery to pierce through with jarring threats that paraphrase “No Heart’s” “keep shootin’ until somebody die.” 21’s murder and trap house chronicles marked him as one of rap’s best go-to’s for guilty-pleasure, shoot-‘em-up tracks.–A.G. Feast your eyes on the best album artwork of the 2000s, including covers by Tame Impala, The Streets, Frank Ocean, St. Vincent and more. TPAB further develops jazz fusion in hip-hop with seasoned collaborators in Flying Lotus, Kamasi Washington, Thundercat, Robert Glasper, et al., producing a live sound thatâs compositionally rich, instrumentally complex and flat-out interesting. For this rapper/producer, that has to do with a lot of internal reckoning about his errant youth and watching his elders get old and leave this mortal coil. Kendrick Lamar – DAMN. How I Got Over has features from Monsters of Folk, Joanna Newsom, John Legend, and more. Club, and Rolling Stones magazine. Scott and his team somehow maintain focus, connecting to a throughline that allows him to dangle explorations of his personal life, his somewhat dangerous embrace of fame and his often tenuous grip on the real world. Parquet Courts: Wide Awake! Rocky doesnât have the kind of presence to stand out against all those bigger names. For more of our best of decade coverage, check our Best Songs Of The 2010s, Best Hip-Hop Albums Of The 2010s, and Best Pop Albums Of The 2010s. It takes work to balance strong personalities that have a lot to say. Meanwhile, Westâs sample-heavy beats provide Pusha the ideal soundscapeâsometimes opulent, others menacingâto swagger over. punchlines derivative of the likes of Lil Wayne and a 2000s-era Ludacris. A countdown of the best rap albums of the 2000s. ... One of the best albums of 2019, Rap Or Go To The League finds 2 Chainz balancing his … Yet, the sceptre for all of TPABâs energy is Lamar, who brings himself to his knees on deeply reflective jams like âKing Kuntaâ and âHow Much A Dollar Cost.â TPAB is a call-out of the hip-hop establishment, by perhaps its most self-aware figure, who has no trouble exploring his own vulnerability in order to paint an accurate picture of the harsh, dynamic and inspiring times weâre still living in today. Rap went indie. The rest of the record unfurls with the same bittersweetnessâcontemplative and cerebral, balanced out with a playful plinking piano or sunny âdoo doos.â With Telefone, Noname invites us into a meaningful conversation, and weâd all be fools not to be on the other end of the line. Those meditations, on subjects explicitly named in songs like âPRIDE.â âLUST.â and âFEAR.â are bound together as an examination of his own existence: his past, his present, his future, his disciples, his worshippers, his enemies and his worldview. âClare Martin, Big Boiâs long-awaited post-Speakerboxxx solo album was poised to become the Chinese Democracy of hip-hopânumerous delays, a label change and a protracted production cycle left fans wondering if they werenât witnessing Dr. Dreâs Detox play out all over again. From Drake, Future, and Kanye West to Kendrick Lamar, J. Cole, and Young Thug, here are the best hip-hop albums of the last decade. Make no mistake, though; she gets off some bars on this album, which stretches and strains the boundaries of hip-hop into one of the most pop-leaning projects in recent memory to still have such a strong grounding in hyper-lyrical rap. Not to sell Youth short, but Millerâs loosely saccharine production fit a Staples whoâs cooled quite a bit since then. Muse, ‘Drones’ (WARNER BROS, 2015) 95 This isnât the music of someone whoâs been born again. While KRIT Wuz Here certainly constituted a worthy introduction for the insightful, spiritual Southern poet, R4 was the moment he solidified his spot as the future of the region’s sound and the torchbearer for its classics and traditions. Hip-hop remains one of our purest forms of protest and release. 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